Catitos : This is his 80s movie. Dazed & Confused was his homage to the 70s, and one could argue tha...
pteyes : It was Ok. Nothing wrong with it. Good acting, not too long, not too short. But it just fe...
greyfur : Yeah, after the first time, when I clicked there was not going to be anything following, I...
Matteus : i just hated watching the credits again every 15 minutes
random000 : Andromeda is good, but Farscape is very superior. Not once did it search for itself or the...
Hans Zarkov : I'd recommend Farscape, it shared a lot of the same elements as SG:A in terms of creativit...
grasshopper rex : After almost 5 years of fearmongering and stoking division, how could they be so utterly u...
random000 : Sanctuary is waaay cool. It started as a web series, so it's cool to catch that as well as...
A much misunderstood and sadly dismissed musical was Herbert Ross’s 1981 “Pennies From Heaven”. It’s aching Art Deco melancholy was simply too much for audiences of the early ‘80s, awash as they were in “Morning in America” pomp.
Ironic, as its whole point was the contrast between the lighter-than-air musicals of the 1930s, built to soothe the despairing moviegoers of the day, and the bitter realities they faced upon leaving the theater, in the very depths of the Depression. As they were.
Ross did this in large part by re-imagining some of the most iconic musical numbers, subtly shifting them into a darkness more appropriate for the times. The film, while not entirely successful in its reach, at several points is indelibly powerful. This is one such moment.