The film takes its title from the ancient Persian Goddess, the mythological deity Anahita who is the deity of water, fertility, healing and wisdom. Anahita’s Law is an attempt to redefine a woman’s identity in the 21st century at this poignant moment in history and question certain fundamental beliefs and perceptions that exist in our patriarchal society in India. Anahita’s Law, a monologue in which a single actor portrays the ancient Persian Avestan Goddess of the Waters and Parsi Zoroastrian characters from the past and today, is the dramatic presentation of the injustices that the Indian Uniform Civil Code should aspire to put right. Anahita stands for fertility, healing, and wisdom. Fertility is the gift of womankind, healing the tolerance they have shown to injustice for millions of years and wisdom which supplies the audacity to struggle and win. Anahita’s law tells the stories of three Parsi women who lived through suffered and overcome the prejudices of biased tradition. The stories are told as recollection and action in a minimalist cinema tradition, the drama of recollection being portrayed in the landscape of the actor’s features. The understanding of prejudice abolishes it. The empathy with the victims of injustice aligns the audience of our film with their brave and inevitable struggle.