PrimeWire

One of the stronger elements is the blistering Max Roach score (whose album lends the film its title)
Another highlight is Kurahara’s vision of Tokyo as an apocalyptic wasteland, a crumbling landscape of debris. However if the film does have a weakness it’s Chico Roland. Continuing in the tradition of terrible American performances in foreign productions, he’s usually pretty bad.
Although there are a few points where he pulls of a good moment, most of the time he’s either overdoing it or underdoing it. And his hysterical wheezing, whispering & weeping often makes his dialogue incomprehensible.

If you watched this you can’t miss “the warped ones”.