The story of Paul Gauguin and Vincent Van Gogh’s combative relationship is well worn cinematic territory, the usual focus being on Vincent’s impulsive, self destructive behavior. The decision in La lontananaza was to examine their aesthetic and spiritual struggles, with a focus on Paul’s equally self destructive ego and immorality. Much of the dialogue is taken directly from their personal correspondence. Historicity and realism are eschewed and the approach is impressionistic; Brechtian if you will. The result is an examination of the art and essence of two flawed men whose influence dominated the following century and beyond. An aphorism used by Luigi Nono speaks the intent: Caminantes, no hay caminos, hay sue caminar (Travellers, there are no roads, there is just traveling.)