A discussion of how the visuals support the dialogue and allow it remain the face of the movie. The filmmakers discuss shooting digitally, the importance of lighting and mood, and character reinforcement through the film’s visual scheme. Fincher and his director of photography discuss the film’s look, the low lighting, how the performances in many instances make the film cinematic, the unwillingness of Harvard to allow the company to shoot on campus, and the HD system selected to photograph the drama.